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Friday, February 26, 2010

Margaret Dale’s Canadian connection


>> by Selma Odom
Ballet dancer and television producer Margaret Dale died January 28th, 2010 at the age of eighty-seven. Revered for her roles as soloist with the Sadler’s Wells Ballet, she joined the British Broadcasting Corporation in 1954 to pursue the new medium’s potential. She made over 100 programs, bringing dance to millions of viewers and recording the artistry of the great dancers of the mid-century. Dale excelled in studio productions of ballets by the Royal, the Bolshoi, the Kirov and other companies, and she pioneered the television feature as a format, documenting the work of John Cranko, Mrinalini Sarabhai, Norman McLaren, Marie Rambert, Gene Kelly and Anna Pavlova, among others.

Grant Strate invited her to give an overview of her work at York University in 1974, and in 1976 she followed him as chair of the Dance Department. She organized an unforgettable public lecture by Dame Ninette de Valois and introduced us to Sir Frederick Ashton and other dance luminaries who came during the National Ballet’s 25th anniversary year. Though she bonded with colleagues and students, she disliked academic administration and soon left. She opted for freelance research, lecturing and writing from her base in England, returning to Canada often over the years. In guest seminars at York, she shared vividly her way of “finding the shape” for each project. In 2007, partially paralyzed after a stroke, she attended screenings of a major retrospective of her work given at the National Film Theatre. “Maggie,” friend and mentor, will be missed by many.
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Chrystal Awards honour Victoria artists

>> by Veronica Lincoln
On February 5th, dance presenters from across Canada and regional community leaders attended a dinner to honour recipients of the first annual Chrystal Awards. Victoria-based organizations and artists were recognized for their dedication and contributions to the dance community. Dance Victoria Producer Stephen White presented Victoria native Treena Stubel of Bounce dance cabaret with the award for Best New Dance Initiative. Outstanding Leadership in Independent Dance was awarded to Suddenly Dance Theatre founders David Ferguson, Lori Hamar and Miles Lowry, while Lynda Raino received a Lifetime Achievement title. All recipients’ names and award titles were inscribed on a crystal trophy piece; titles will change yearly to respond to what’s current in the community. Young dancers and mid-career dance artists interested in performing internationally can look forward to the Chrystal Dance Scholarship award, which will launch for the 2010/11 season and will be presented each year. The ceremony concluded Dance Victoria's "Dance Days", a week of studio showings, workshops and shows that attracted upwards of 10,000 people.
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Wednesday, February 24, 2010

Delia Brett wins Trial & Eros raffle

>> by Samantha Mehra
Montreal's dance-theatre company Trial & Eros recently held a raffle with an unusual first prize: an opportunity to perform a custom-made solo by company Artistic Director Deborah Dunn. Vancouver-based dance artist Delia Brett of the company MachineNoisy won the raffle, which was held on February 20th, 2010 at l'Agora de la danse following an informal presentation of the results of a research period for a new work. The raffle was open to both amateurs and professionals; winners were guaranteed a public performance in a location to be determined. The $1800 raised by the raffle will go towards the company's projects, as well as the creation of the solo, which will begin this summer.
www.trialanderos.com
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Tuesday, February 23, 2010

Shannon Litzenberger made inaugural Metcalf Arts Policy Fellow


>> by Samantha Mehra
The Toronto Arts Foundation recently named dance artist and arts advocate Shannon Litzenberger as the first recipient of the two-year Metcalf Arts Policy Fellowship, created with support from the George Cedric Metcalf Foundation, the John D. McKellar Foundation and Business for the Arts. The fellowship will consider the impact of arts policy on community practice. During the two years, which will involve Litzenberger's participation in discussions in existing arts policy forums, Litzenberger will consider how to improve the ways communities engage in arts policy dialogue, as well as how to advance policy goals to affect change at all levels of government. The fellowship will be administrated by the Toronto Arts Foundation.
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School programs with the Dancers of Damelahamid

>> Brittany Duggan
On February 1st and 2nd, the Dancers of Damelahamid, an Aboriginal dance collective from the northwest coast of British Columbia, invited students from kindergarten to grade twelve to participate in their school programs at the University of British Columbia Museum of Anthropology. On February 3rd, the group performed a matinee for schools with an evening performance on February 4th at the Centennial Theatre in North Vancouver. All performances, including one in Whistler on February 14th, were part of We yah hani nah Coastal First Nations Dance Festival 2010, an event the Dancers of Damelahamid hosted to present the rich diversity of traditional indigenous dance groups from the northwest coast.
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Monday, February 22, 2010

Merce Cunningham Dance Company announces final tour

>> by Samantha Mehra
The Merce Cunningham Dance Company announced its final international Legacy Tour, which began in Columbus, Ohio, on February 12th, 2010, and ends December 31, 2011 in New York City. The tour, which will visit thirty-five cities during its run, is a last chance to see Cunningham's work as performed by men and women he personally trained. Eighteen works will be performed, seven of which have long been out of the company's repertory. Before his death on July 26, 2009, Cunningham approved the tour as a way of preserving his legacy, and tapering off the company's activity. The company formed in 1953, and will disband following the tour. http://www.merce.org/schedule.html.
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Tap Dance Centre to open in Mississauga, ON

>> by Veronica Lincoln
Talks of a new facility has tappers on their toes! Mississauga, Ontario, will welcome its new Tap Dance Centre in the summer of 2010. Kim Chalovich of What’s On? Tap! and SYTYCDC’s Everett Smith have collaborated on the project in an attempt to promote and preserve the art form of tap dance. This facility and its teachers are hoping to encourage young, advanced level tap dancers to join their Performing Youth Companies, which will be groomed for professional performances. More information about summer classes for all ages and experience levels will be released shortly.
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Funding cuts for Alberta's artists

>> by Brittany Duggan
On February 9th, the Alberta government released its annual budget with considerable funding cuts to arts groups for the coming year. The Alberta Foundation for the Arts, which funds the province's dance companies among other cultural groups, received a sixteen percent, or $5.6 million cut.Prior to the budget release, Alberta’s Culture Minister Lindsay Blackett told CBC news that part of the cuts would be absorbed by the ministry's administration. In preparation for the 2010 budget, Blackett met with arts groups to discuss the cutbacks and his belief that Alberta’s arts sector is lacking an organized, single voice when dealing with the government – a sentiment shared by Karen Brown Fournell of Rapid Fire Theatre who, according to CBC, said, “… we just need a stronger team and a more united team to go forward to continue to encourage support and funding for the arts.”
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New contemporary dance class initiative in Calgary

>> by Cynthia Brett
The Calgary Contemporary Dance Collective, initiated by Helen Husak, Naomi Brand and Kelly McCann, is now offering drop-in contemporary dance classes and a complimentary Friday fitness class until April 2010. The dance classes are held at the Free House Dance Plus every Monday and Wednesday from 9:30-11am. Guest instructors include Joanne Baker, Hannah Stillwell, Darcy McGehee, Kelly McCann, Ainsley Sudds, Natalie Poissant and Hilary Maxwell. The Friday fitness class, which features plyometric movement training, is held at the Evergreen Theatre from 10-11am. Instructors for the fitness class are Quinn McCrimmon, Sarah Irvine and Helen Husak.
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New non-partisan arts caucus forms

>> by Cynthia Brett
A newly formed non-partisan arts caucus met on Parliament Hill for the first time in October 2009. Its goal is to harmonize the cultural sector with legislators, increasing the visibility of the arts in Parliament. So far, over thirty Senators and Members of Parliament have joined. The caucus is co-chaired by representatives from each of the four official parties in the House of Commons and the group will meet about nine times a year. Denise Savoie, an MP from Victoria, told the National Post that the first meeting involved a brainstorming session where ideas such as simplifying federal funding applications and changing the tax code to encourage more donations to arts group were mentioned.
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CADA-ON and Dance Ontario announce new partnership

>> by Samantha Mehra
The Ontario Chapter of the Canadian Alliance of Dance Artists (CADA-ON) and Dance Ontario have announced their intentions to launch a new partnership project: the Ontario Dance Sector Study. Executive Directors Elizabeth Chitty (CADA-ON) and Rosslyn Jacob-Edwards (Dance Ontario) are currently seeking funding and a consultant to undertake Phase One, which will assess the dance sector's needs in order to lay the groundwork for the study (which has a target completion date of June 2010). The study's objective is to, upon completion of Phase Two, implement a more robust business plan infrastructure for the dance service organization sector.
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Thursday, February 4, 2010

Self-employed to receive EI benefits

>> by Samantha Mehra
The Canadian government has introduced legislation that will allow self-employed individuals to opt into the federal employment insurance (EI) plan, a benefit that was previously only available to wage-earners and salaried workers. The Fairness for the Self-Employed Act will now extend benefits such as parental, maternity, adoption, medical and compassionate-care to self-employed persons. The extension of parental leave to the self-employed was a Conservative party campaign initiative from the 2008 federal election; at that time, the party estimated the extension of EI benefits would cost $147 million. The government expects the new plan to be self-financing, but that will depend on how many of Canada's self-employed workers sign up and claim benefits. Self-employed workers accessing EI will have to continue paying premiums for as long as they are self-employed. Signing up for the plan became an option on January 1st, 2010 and benefits can be claimed one year later.
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Town hall on equity and diversity in the performing arts





>> by Samantha Mehra
Cultural Pluralism in Performing Arts Movement Ontario (CPPAMO) recently presented the town hall "Equity and Diversity in the Performing Arts." The event took place January 29th through 30th, 2010 at the University of Toronto Scarborough. On January 29th, Kathleen Sharpe, president of the Canadian Conference on the Arts, chaired a discussion featuring panelists Canada Dance Festival Artistic Director Brian Webb, Guelph Jazz Festival Artistic Director Ajay Hebie, Kaha:wi Dance Theatre Artistic Director Santee Smith and Scarborough Arts Council Director Tim Whalley. The discussion recognized inequities in funding what are considered to be marginalized groups, and how communities are changing and wish to see forms of cultural expression that are reflective of their own backgrounds. Remedies were also considered, such as encouraging programmers, funding bodies and policy makers to be representative of diverse forms, and examining Eurocentric programming standards in order to become more inclusive. A performance by Kevin Ormsby of KasheDance followed the panel. On January 30th, Ontario College of Art and Design President Sara Diamond delievered a keynote address, which was followed by a performance of SAMVAD by Lata Pada's Sampradaya Dance Creations. Also offered on this day were workshop and development sessions on curatorial competence, employment issues, audience building and marketing, representation on boards, and relationships with funding bodies. CPPAMO is an organization of Aboriginal and ethno-racial artists working toward building relationships with presenters in order to empower the performing arts communities of Ontario.
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SOCAN accepts Dance Ontario's offer


>> by Brittany Duggan
The Society of Composers, Authors, and Music Publishers of Canada (SOCAN) has recently agreed to Dance Ontario’s proposed Individual Licensing agreement for its studio members – a license that will enable dance teachers to legally use copyrighted music for any number of classes, with any number of students, at any studio, school or alternate teaching venue for an individual fee of $67.20, taxes included. Dance Ontario, acting on behalf of its studio members, began a discussion regarding a proposed individual license under Tariff 19, which covers Fitness and Dance Classes, in December of 2008. The membership-based association invited interested studio owners, independent dance teachers, two SOCAN representatives and a British Association of Teachers of Dancing representative to negotiate a possible offer. A year later, the Individual Licensing agreement is in place and members have until mid-February to contact Dance Ontario to be included.
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BC Arts Council releases strategic plan

>> by Cynthia Brett
The BC Arts Council released its 2009-2013 Strategic Plan in December 2009, three months after the provincial government announced that ninety-two percent of arts and culture funding will be cut by 2011. The plan includes four over-arching goals designed for the Council's mission to, " ... engage British Columbians in a healthy arts community that is recognized for excellence ..." said Council Chair Jane Danzo, in a press release. The goals include:
  • fostering artistic excellence
  • strengthening community engagement
  • supporting the unique role of Aboriginal artists and communities
  • enhancing financial and other services
Kevin Krueger, BC's Minister of Tourism, Culture and the Arts, commented in a press release that, "The province is committed to the long-term health of BC's arts sector and recognizes the key social and economic roles that heritage, arts and culture play in our society ... " The Council is currently developing the plan's implementation schedule.
www.bcartscouncil.ca
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